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Homère déifié dit aussi l'apothéose d'H... OF Jean-Auguste-Dominique Ingres
Homère déifié dit aussi l'apothéose d'Homère
Jean-Auguste-Dominique Ingres's Apotheosis of Homer: a tribute to ancient literature
L'Apothéose d'Homère, also known as Homère déifié, is a monumental work (386 cm x 512 cm) by the French painter Jean-Auguste-Dominique Ingres between 1826 and 1827. The canvas, currently housed in the Musée du Louvre in Paris, was commissioned by King Charles X to adorn the Salle des Sages in the Royal Library at the Palais-Royal.
This prestigious commission followed Ingres, already highly respected for his talents as a portraitist and neo-classical painter, being awarded the Grand Prix de Rome for the second time. This prize recognised the best French artists of their day, and a specific commission was often made to honour historical or religious figures. The choice of the deified Homer thus illustrates the admiration Ingres felt for Greek Antiquity and for the major literary works that were the Iliad and the Odyssey. Ingres, then living in Florence, was inspired in particular by an engraving by Jean-Baptiste Huet to compose this masterly work.
Visual description of The Apotheosis of Homer by Jean-Auguste-Dominique Ingres
The work depicts an imaginary moment when the famous Greek poet Homer is deified by Zeus and adored by the greatest literary and artistic figures of every century. A veritable eulogy scene is thus set up, bringing together all these illustrious figures around Homer, illustrating the posterity and influence of his literary legacy.
At the centre of the composition, Homer, crowned with laurels and holding his lyre, is enthroned majestically. He is surrounded by a motley crowd of characters, all linked in one way or another to literature, philosophy, music and, of course, ancient Greece. They include Aeschylus, Apelles, Dante, Raphael, Pindar, Phidias, Boileau, Molière, Corneille, La Fontaine, Poussin and Racine. This crowd bears witness to Homer's considerable influence on thought and artistic creation throughout the ages. In the background, Niké, the goddess of victory, places the laurel wreath on Homer's head, emphasising the importance of knowledge and culture in the work's message.
The rigorous composition, the precision of the drawing and the richness of the colours lend the scene a grandeur and solemnity that celebrate the cultural heritage of Antiquity.
The role of Homer's Apotheosis in Ingres's artistic career and on art.
The Apotheosis of Homer is considered one of Ingres's most successful works, both technically and thematically. Critics have hailed the mastery of composition, the quest for formal perfection, the balance of the composition, the rendering of the figures, as well as the symbolic depth that unifies these motley figures into a single grandiose scene.
This painting also bears witness to the neoclassical dimension characteristic of Ingres's style. The artist remains faithful to the principles of rigour and clarity characteristic of this school, while adding his own sensibility and admiration for Antiquity. This painting thus helped to strengthen Ingres's reputation both nationally and internationally, as he established himself as one of the leaders of nineteenth-century French art, seen as a worthy heir to the great classical masters such as Poussin or Lorrain.
With The Apotheosis of Homer, Ingres offers a fine example of the interaction between art and literature within his production. Here, he wished to reaffirm the primacy of the Greek literary tradition over all works of art from other cultures and periods. In this painting, Ingres transcends his initial subject to become a veritable hymn to beauty, knowledge and artistic excellence. It embodies the neo-classical ideal of art as a vehicle for the transmission of values and cultural heritage, continuing to inspire and amaze generations of viewers.
This artwork is a painting from the classical period. It belongs to the neoclassicism style.
« Homère déifié dit aussi l'apothéose d'Homère » is kept at Louvre, Paris, France.